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Book bits: Cool new German cover, hints of books to come, and better look at new DS9

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Remember how disappointing Fallen Gods' cover was? The one with a big Riker head, and reuse of the USS Titan image from Sword of Damocles. Well there's good news for German readers; unlike all the previous Titan translations from Cross Cult (not counting crossover series books), the new German release of Fallen Gods (due in July next year) will have a brand new cover by Martin Frei, featuring Tuvok and a whole bunch of Andorians. Here's the first draft (released on the German Star Trek books Facebook page):


In other books news, TrekCore recently interviewed David R. George III, including getting him to spill a few beans on his 2014 Star Trek novel:
All right. I’ll give you this: my next Star Trek novel will take place during the so-called Lost Era, the large gap of time between Star Trek VI: The Undiscovered Country and the launch of the Enterprise-D in "Encounter at Farpoint."
Later teasing:
At the moment, I am very much into the time period 2303-2319.
Quite a wide span of time for one novel, I'm intrigued! George also spoke a little about his latest novel, the freshly published first book in The Fall series, Revelation and Dust:
The story I developed for Revelation and Dust essentially had to serve three different masters. On the one hand, my tale needed to launch the five-book arc that would continue with Una McCormack's The Crimson Shadow, David Mack’s A Ceremony of Losses, James Swallow’s The Poisoned Chalice, and conclude with Dayton Ward’s Peaceable Kingdoms.

On the second hand, it would have to renew the ongoing Deep Space Nine saga, which in the Star Trek literary world has continued forward from the end of the television series. And on the third hand (this is science fiction, so I’m sure none of us will have any trouble positing a third hand), my novel would have to introduce the brand-new Deep Space 9 space station.

Although I already had in mind some DS9 elements that I wanted to write, I first met with editor Margaret Clark and the other writers of The Fall to determine the overall tale we wanted to tell. Our idea was that we would each produce a novel that would satisfy in and of itself, but that when read with the other entries in the series would tell a larger tale as well. Ms. Clark and all of the writers are consummate, creative professionals.
As for the overall story, I’ll simply say that in Revelation and Dust, a major event takes places in the Star Trek universe that will have significant repercussions throughout the Federation and well beyond its borders.
You can reader more from George about many of his books on TrekCore. Meanwhile, hiding in plain sight on his Twitter page I found the cover art for Revelation and Dust, without the titles. This is also a slightly wider crop than the cover image, giving us an even better look at the new Deep Space 9:


Finally, TrekFM's Literary Treks has also posted a new interview, with Dayton Ward. They talk primarily about his new novel, From History's Shadow. They speak at length about the book, including how Ward got into the period setting:
I had to emerse myself in the period: How people talk, what they worked with; the technology that was available at the time. Everybody smoked; it was good for you. Where things were, like the airforce bases were either army bases, or were named differently. Places that we take for granted didn't exist yet. It was a lot of fun, a lot of research.
Particularly for the UFO lore, for lack of a better term, I really wanted it to be as close as I could get to being right on. But obviously I had to make some concessions for the Star Trek take on certain events. But I really wanted, when you read about so-and-so is the commanding officer of the Blue Book Project, if you check the timeline for those projects, that's the guy who was running it back in the day.
They also discuss some of the characters that appear, and some of the plot points in the book. But that's all I'll say about that, as depending how much you know about the book, you might consider it quite spoilery. So have a listen, before or after reading, depending on your spoiler-level preferences.

Ward also gave an overview of the format for the new Vanguard spin-off series, Seekers. Giving some idea of the directions the series could take as they develop it:
The stories will be more stand-alone than Vanguard was, in terms of there's not this huge meta-story-arc that's driving the entire series; but there'll be character development and character arcs that covers multiple books. The stories themselves will be largely stand-alone, you'll be able to read them in any order. And then of course the format lends itself to us teaming up for the occasional two-parter or mutli-book story line if we want to.



September's retro prints

Review: The Official Starships Collection Enterprise-D

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With issue two of The Official Starships Collection out in the UK today, it's about time I got my review for the first issue up! Kicking off what is currently planned to be a series of seventy model ships and magazines, is the Galaxy class USS Enterprise-D; which was of course the main starship through seven seasons of TNG, and one movie, plus a brief cameo in Enterprise - I would imagine therefore that the D has had more screentime than any other starship in Trek (with the possibility of her being out-paced by Voyager, with that series having more special effects), and thus we know and love her well. A high bar of familiarity for the first model to live up to. Fortunately the series has launched with all guns blazing, as the latest model of the Enterprise-D is superb.



As you can see, the model is highly detailed, using both molded and painted details to get across every part of the ship. I think what really gives the ship it's impressive look is the aztecing paint-job, which assures there's something going on everywhere across the surface.

She does have a couple of minor flaws: If you look very closely you might see some of the windows prints are fractionally misaligned with the window molds. Also notably absent is detailing around the edge of the saucer - I think this is a matter of scale; as with the accurate thin edge to the saucer there's very little surface to attempt to print on.


The model is pleasing weighty, owing to the large saucer being mostly metal. The top part of the saucer, inside the phaser strip, is plastic, and thanks to using the phaser as a boundary it's almost seamless. The engineering section is entirely plastic, and some of the seams around the different sections of plastic used there are a little more visible, but overall it still looks really good. The different materials work together very well, there's no difference in colour; if not for them feeling different to touch, you'd not be able to tell there's a mix of materials in there.


As one of the most significant and popular ships in Trek, there have of course been may other models of the D over the years. Comparing this to the similarly sized versions, the most recent Hot Wheels model is much less detailed, looking almost clumsy in comparison. It's better compared to the Johnny Lighting or Corgi renditions of the ship, which both have detailed aztecing paint jobs as well. Next to all of these smaller scale versions, the new D has an advantage of its detailing, both modelled and painted, looking particularly sharp, which makes it look especially well made.

Even compared to the much larger DST version of the ship, the aztecing makes this little rendition look far more intricately finished (DST's version does have a lot of hull detailing, but it's done with molded lines in the hull, which don't have the same impact). Overall I'd say this is probably one of the best models of the D there has ever been, which is pretty impressive considering how many there have been!



Like all the ships in the series the D comes with a bespoke stand that sits around the ship, in this case holding snugly around the side of the engineering hull, and then clipping onto the back of the saucer. The big advantage here is there is no hole in the ship for the stand to plug into, you can just slip her off the base and enjoy every detail from every angle without interruption. The magazine includes a handy guide on how to fit the stand around the ship (something Eaglemoss haven't actually followed in all of their own promo-photos!).

Continue reading after the jump for a look at the rest of that magazine:

This whole first issue is delivered on a large format card back, giving it more impact for the launch in shops.


You also get a second magazine with this issue, serving as an introduction to the series.


Notably within that guide we have the first official photos of some of the ships coming later in the series:


Again, owing to the significance of this ship, the eighteen-page magazine has a tough jobs to fill in giving a satisfying read about a ship we know inside-out and have already had entire books dedicated to it. The limited size of the magazine is used well, to give a good overview of the ship, both from in-universe and real world perspectives. I feel for other ships in the series, especially the more obscure ones, these features will be very engaging. For the Enterprise-D though, she's just too familiar for the little in-universe fact file to be that exciting.

The first half of the magazine includes a specification page, giving statistics on the ship. This is followed by a well illustrated four-page profile giving a general overview. There's then a two-page "classic scene" section, which for this issue highlights the saucer separation feature of the ship, again with good use of illustrations. The next two pages give us plan views of the ship, nice for scrutinizing the design.



The latter part of the magazine switches to the  a real world perspective. As is the case with every issue of the magazine I've seen so far, this is the strongest part of the issue, giving an insightful overview of how the ship was designed, with a smattering of concept art over the four-pages. Again, when it comes to the D, this is reasonably familiar content if you have a decent Star Trek library, but it tells the story well in the space it's given.


Following the design section there is a two-page guide to the filming miniatures and CGI models used to portray the ship on the screen. This is interesting information, but I think they dropped the ball with the choice of images; some nice behind the scenes shots showing the models being filmed on the blue-screens and/or with the production crew would have given a nice sense of scale, and indication of how the show was made. More so than has been achieved with the isolated shots of the ship used instead. It's an interesting section none the less.

The final page is "on screen", which makes notes of significant appearances of the ship and a few bits of trivia. I suppose it rounds off the issue, but it's not the most exciting page in the magazine!

Overall, this first issue of the series has got off to a flying start. The model is really excellent, one of the best of the D there has ever been. The magazine, while unavoidably familiar in content, is well presented, serving as a good briefing document on the ship both in-universe and from the real world - I think the promise of this format for other ships in the series is quite exciting. I can't wait for the rest!

If you haven't already, you may still be able to grab a copy of issue 1 in the UK and Ireland, if not Eaglemoss will be launching a back-orders service in the coming weeks. While in the US it's available to order ahead of the launch there in October (still no dates for the rest of the world just yet).

Order links: Amazon.co.uk, Things From Anther World, Entertainment Earth, Forbidden Planet.

For a look at the next few ships in the series, check out my advance reviews of issues one to three, and four and five.

First look inside The Klingon Art of War

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StarTrek.com has officially announced, and released a new cover and sample pages from, Keith R.A. DeCandido's forthcoming book, The Klingon Art of War (due next May). Have a look:



Since it's now been officially announced, DeCandido has finally be allowed to acknowledge he's been working on it (after keeping shtum when it started showing up online a couple of weeks ago). On his blog he specifies the full title as "The Klingon Art of War: Ancient Principles of Ruthless Honor. Precepts derived from the teachings of Kahless the Unforgettable, with modern commentary by K'Ratak, son of M'Lind, translated from the original Klingon by Keith R.A. DeCandido". K'Ratak is a Klingon writer that's been mentioned a few times.

The sample spread above is the from the start of the ninth precept described in the book, DeCandido mentions there are ten altogether.

Here's the blurb if you missed it before:
Klingons fight, but they do not merely fight. For Klingons, battle is a dance, a way of living with dignity and purpose. This is central to the concept at the heart of Klingondom: honor.

The Klingon Art of War lays out the principles of the Klingon code that animates their entire culture. Each chapter introduces another part of the Klingon ethic and explores the ways it informs Klingon life, behavior, and history. Each chapter also celebrates famous Klingons, warships, and battles, and the role they've played in advancing the Klingon Empire.




Best Titan cover ever

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StarTrek.com have revealed the beautiful new cover for James Swallow's forthcoming new Titannovel, and the fourth book in The Fall series, The Poisoned Chalice. The cover uses Tobias Richter's brilliant new model of the Titan (which you can see more of here); check out those ample nacelles!


They also posted a new blurb for the book:
One simple act, and the troubles of the United Federation of Planets have grown darker overnight. The mystery behind the heinous terrorist attack that has rocked the Federation to its core grows ever deeper, and William Riker finds himself beset by rumors and half-truths as the U.S.S. Titan is ordered back to Earth on emergency orders from the admiralty. Soon, Riker finds himself drawn into a game of political intrigue, bearing witness to members of Starfleet being detained—including people he considered friends—pending an investigation at the highest levels. And while Riker tries to navigate the corridors of power, Titan’s tactical officer, Tuvok, is given a series of clandestine orders that lead him into a gray world of secrets, lies, and deniable operations. Who can be trusted when the law falls silent and justice becomes a quest for revenge? For the crew of the U.S.S. Titan, the search for answers will become a battle for every ideal the Federation stands for.

The Fall got off to a brilliant start this month with David R. George III's Revelation and Dust. I'm sure we're in for an exciting time as the series unfolds.




John Byrne's photo-comic announced as IDW's first Star Trek annual

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IDW have officially announced the release of John Byrne's new TOS photo-comic, Strange New Worlds, as their first ever Star Trek annual. The forty-eight-page book will be the first time IDW have released new Star Trek comics in a longer format, and will be published in December. Here's what they had to say in their press release:
Byrne returns to the Star Trek universe in an entirely unexpected way-for this annual, he has created a completely original Star Trek story that plays out like a "lost episode," using a uniquely constructed photomontage to create an entirely new story. "Strange New Worlds" serves as a direct sequel to the fan-favorite episode, "Where No Man Has Gone Before," which aired as the third episode of Star Trek's first season in 1966.

"There was a visual richness to that second pilot that really drew me in," said writer/artist John Byrne, "and since I have long wanted to experiment with something like this project, that episode seemed the perfect choice for a sequel."

Years ago, James Kirk saved his ship, but the price was the life of his oldest friend in Starfleet-or was it? Fans will see Gary Mitchell's story take a surprising turn in this story. But the uniqueness of this project does not end with the plotline; rather, it continues with the photomontage art form that Byrne has chosen to tell this original story. Star Trek photonovels, in which a book was created by adapting a film or television episode using actual film stills in place of traditional artwork, with narrative text and dialogue presented in word balloons, were popular in the late 1970s. But this is where the past becomes the future-Byrne didn't just insert film stills, he created them. In order to tell a new Star Trek story in this "fumetti" style, he did much more than pluck existing images, instead compositing together multiple pieces of film stills and manipulating them to tell the exact story he wanted.
StarTrek.com also released the above cover. Here's a sample page IDW have put out as well:


You can see a few more sample/work-in-progress pages from this comic on my previous report on the project. Byrne has also started work on a second photo-comic (not yet confirmed if it too will go to print). Here's the latest page he has previewed on his forums:

 
Stretching the idea a bit further he has also played with the idea of adding a newly created alien. This test image uses a render he created years ago, and doesn't have any more, but is an interesting look at his experimental process anyway:



Trek art: New TAS and Klingon designs

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Star Trek: The Animated Series is forty years old on Sunday! To celebrate the anniversary CBS are embarking on another poster project, and like the Juan Ortiz TOS series, they plan to release designs based on every episode of the series. io9 have revealed the first two designs, based on Yesteryear and Beyond the Farthest Star. There's no information yet on the artist, or when/how these will be distributed:



Elsewhere in the world of Trek-art, Generation Gallery have added a new design to their Star Trek fine art collection: A pair of Klingon portraits featuring Chang and Worf. These are a limited edition of 195.


Finally, this month's batch of Juan Ortiz TOS designs are also now available as T-shirts and glasses. See how they look in those forms after the jump:




Bluray bits: Unification trailer, and Into Darkness exclusive packaging

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A couple of bluray bits: CBS have released a trailer for the forthcoming stand-alone bluray release of the TNG two-parter, Unification:



Paramount meanwhile have produced few promotional covers of the Star Trek Into Darkness bluray. The most extraordinary version they have come up with comes with a Starfleet delta shaped bit of meteorite rock! Total Film are offering that in a competition, here's how they describe this most unusual edition:
Paramount have created the ultimate opportunity for one very lucky Star Trek fan and space enthusiast; a one-off Blu-ray off STAR TREK INTO DARKNESS with Special Edition Packaging featuring an authentic 497-year- old meteorite. The space rock from the Nantan meteorite shower, which was witnessed falling in Guangxi-Zhuang province in China 1516 A.D., has been hand carved into the shape of the internationally recognisable Star Fleet symbol and will feature prominently on the exceptionally exclusive Blu-ray Special Packaging which includes the meteorite’s certificate of authenticity.

The Shortlist Magazine Twitter offered another exclusive cover, featuring the Khan character poster. This was given away in a retweeting competition. They had twenty-five on offer, but the cover seems to show an edition of one-hundred, so presumably there are more of these going somewhere.




First look at new Starships Collection ships, and details of future releases

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In a flurry of posts on the Official Starships Collection Facebook page today, the publication's project manager, Ben Robinson, shared several images of forthcoming models and responded to readers questions and requests, giving lots of information about the series. Here are some really good looks at the USS Equinox (issue 15), USS Reliant (issue 11), and Deep Space 9 (first special) models, that he posted:




Robinson also confirmed a couple more issues in the line-up. Issue 32 will be the Cardassian Hideki class, followed by the Danube class runabout, specifically the USS Orinoco, as issue 33.

Responding to questions about which ships would be included in the series, Robinson confirmed all the main Enterprises would be included, NX-01, NCC-1701, A-E and the J. He also confirmed plans for the nuEnterprise as a special issue, and suggested the D featuring saucer separation and the ISS Enterprise might also be considered for special treatment. Responding to a request for the NX-refit, he said:
I would love that. Doug's work is brilliant but its a bit of an odd one from a licensing point of view and - for now - there are so many ships that have appeared on screen.
Also confirmed as planned ships are the Centaur class, Pheonix, T'Panna-Hath, Delta Flyer, and all the Federation designs featured in First Contact (Akira, Norway, Sabre, and Steamrunner). He also noted that the Excelsior will use the NCC registry. Looks like the New Orleans class might not be on the cards though:
New Orleans is a bit trickier since we never saw an undamaged version.
He also got into some of the technicalities of the models, noting the difficulties of adding moving parts or separation features:
Unfortunately, moving parts are a real problem at this scale. At this kind of cost we can't manage a small enough or precise enough joint. The same issues apply to separating the ships. So I'm afraid none of our models will be articulated. Separating ships are a possibility for specials though.
He also highlighted the series' use of translucent parts to give a lighting effect:
The nacelles light up when the ships are at warp and are dark when they're at impulse. Since the glows we're added in VFX most of the publicity pics show the nacelles in their dark state. If you hold your models up to the light you'll see they should catch it nicely and 'glow'.
Responding to criticism of the lack of aztecing on the 1701-refit he cited technical difficulties in trying to emulate the pearlescent paint job:
Aztecing on the TMP Ent is a really difficult issue. The A definitely has the same style of Aztec as the Reliant but the TMP paint job went through various iterations. The original version had a pearlescent, magenta paint job that was so complicated ILM scrubbed it off because they couldn't reproduce it. We tried to replicate it but we just couldn't. Somewhere I have a version that looks pink!
As well as model photos Robinson shared some of the tooling files which will be used to make the Jem'Hadar and Maquis fighters (note the stand attachment at the front of the Jem'Hadar ship isn't the final position):


Elaborating on these he explained the production process:
The J'H bug is issue 29. I sent the original CG model to the factory about six weeks ago and it will be on sale in just over a year! So it takes a while. To be fair, I'll have a physical version of this in a couple of months time and we'll spend a lot of time going back and forth over the painting and the correct colours.
Finally, after the jump, here's a preview page for this week's second issue of the series, featuring the USS Enterprise refit:


PS. For all the details of the Starships Collection, check out my index page, with a complete listing of the series and links to my previous coverage.

Review: Maximum Warp

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Last month, Cross Cult, the current publisher of (most) Star Trek books in Germany, released Maximum Warp - Der Guide durch die Star-Trek-Romanwelten – Von Nemesis zu Typhon Pact, a new guide book to the Star Trek literary world. Friend of the site, and my regular source of German Trek news, Jens Deffner, kindly offered to review this intriguing new book. So over to Jens (continues after the jump):



This is very unusual review for me to write for a plethora of reasons: It's for a non-fiction book, it's for a German book, and it's not written for Unreality SF (yay, shameless plug). But beyond all that there's a bigger reason why this review is very unusual and hard for me: While reading the book very early on I realized that the book wasn't what I thought it would be, and that in the form it was produced I'm not really inside the target audience for it. To give it a fair shot I'll give you what is more or less a two part review: part one written from my actual point of view as someone who has been deeply entrenched in TrekLit fandom for more than a decade now and has been reading pretty much all the Star Trek novels in the original English as they came out for almost the whole time. In the other part I will try to look at it from the perspective of an average German reader, who has just been (re-)introduced to Trek Literature with the reemergence of the line a couple of years ago.

But before we start I guess I'll give you a translation of the books Table of Content to give you an idea what topics the books deals with:

1. Foreword: Only the Sky is the Limit

2. A Franchise grows up - About the emancipation of the Star Trek novels from their source material
2.1 Tentative Beginnings and literary revolutions - The way of the Star Trek novels into autonomy
2.2 Hope or exploration? - About the question of the compatibility of science and religion in Star Trek

3. Native universes - Star Trek novels in Germany
3.1 Star Trek novels in Germany - A look back
3.2 A look back: Interview with Andreas Brandhorst
3.3 A look ahead: Interview with Markus Rohde
3.4 Drawing looks: Interview with Martin Frei

4. Going to faraway skies - Introducing the Star Trek novel series

New Frontier
4.1. New Shores - New Frontier (2373 - 2380)
4.1.1 A cosmos of characters - the characters of New Frontier
4.1.2 Talking with the author - Interview with Peter David

Deep Space Nine
4.2 What lays ahead of you - Deep Space Nine relaunch (2376 - 2378)
4.2.1 Old Faces, new faces - The characters of the DS9-relaunch
4.2.2 Talking with the author - Interview with S.D. Perry
4.2.3 Talking with the author - Interview with David R. George III
4.2.4 Talking with the translator - Interview with Christian Humberg

The Next Generation
4.3 Exploration was yesterday - The Next Generation relaunch (2379-2384)
4.3.1 Does grow together what belongs together? - The characters of the TNG relaunch
4.3.2 Love at second sight - Picard and Crusher's relationship through the ages
4.3.3 Talking with the author - Interview with William Leisner
4.3.4 Talking with the author - Interview with Keith R.A. DeCandido

Titan
4.4. Number One is on his own - Titan (2379-2383)
4.4.1 First and second row - The characters of Titan
4.4.2 With dignity to the stars - The creation of the U.S.S. Titan
4.4.3 Ecosystem space - background of an extraordinary mission
4.4.4 Talking with the author - Interview with Christopher L. Bennett

Destiny and Typhon Pact
4.5 The big incision - Destiny and Typhon Pact (starting in 2381)
4.5.1 Meetings with Horror - The Borg chronology from 2153 to 2381
4.5.2 Federation 2.0 - The Typhon Pact as a new threat
4.5.3 New times, new ship - the creation of the U.S.S. Aventine
4.5.4 Talking with the author - Interview with Dayton Ward

Voyager
4.6 The Alpha-Quadrant is not enough - Voyager relaunch (starting in 2378)
4.6.1 Heroes of the Odyssey - the characters of the Voyager relaunch
4.6.2 Talking with the author - Interview with Kirsten Beyer

Other series
4.7 A good day to read - Other Star Trek novels series shown exemplary with I.K.S. Gorkon
4.7.1 Resist the beginnings? - The Klingons between discrepancies and continuity
4.7.2 On the doorsteps - The fascination about Klingons and Worf as a commuter between the cultures
4.7.3 To boldly conquer - Continuation of the Klingons

5 Entities, many and collectives - About intergalactic troublemakers and populaces
5.1 The nature of the augments - About a futuristic taboo
5.2 Q means Quälgeist (translates to nuisance) - Why a god needs friends
5.3 The worst enemy - Answers about the Borg from the Star Trek novels
5.3.1 Errors in the Systems - Individuals in the collective of the Borg
5.4 This isn't Jim Beam ... I mean Kirk - The Doppelgänger motif in Star Trek's upper echelon
5.5 An Adventure within the big adventure - About family life in space
5.6. Children of the Future - Reproduction and pregnancy in Star trek
5.7 Dying race - The grim destiny of the Andorians
5.8 Dark, tragic and believable - the soul of the Cardassians
5.9 Governing Utopia - the political system of the Federation

6 Turbulent times - The progress of Earth and interstellar relationships between 1993 and 2382
6.1. 21st century: Catastrophes and lessons
6.2 22nd century: Stormy formation
6.3 23rd century: Chauvinistic Klingons and revanchist Romulans
6.4 24th century: Wars, crisis, catastrophes
6.5 Closing remarks: A challenging environment for Earth and the Federation

7 Appendix: "I think the tie-in books are Star Trek at the moment" - Genre authors develop the future

8 Reading Tips
Based on the title (which translates to Maximum Warp – The Guide through the worlds of Star Trek novels – From Nemesis to Typhon Pact) I assumed it would mainly deal with the mentioned time frame and the novels set within it. There's a two-fold problem with that: First of all, the parts of the book directly dealing with several of the novel series are little more than expanded teasers for newbies, unwilling to get into any depth about the series (to avoid spoilers I assume) and basically only giving the basic set-ups and characters. While the accompanying interviews with authors are nice, none of them really cover any ground that hasn't been covered by other interviews I have read over the years – heck, I've covered similar grounds with some/most of them in my own interviews years ago. To be honest the only interviews that really piqued my interest were the ones specifically talking about the German ST line, one in particular sent chills down my spine when Andreas Brandhorst, who worked as a translator for the former publisher Heyne, states that - and I'm paraphrasing here - they sometimes had to rewrite large portions of books because they were written so badly. Reading that I suddenly had the urge to rebuy all the Star Trek books I have as German translations in English, simply to be sure that I have read the books the authors intended me to read and not the distorted versions some translators with sense of grandeur made out of them. I guess luckily I neither have the time, nor the money to do that. In case you're interested Markus Rohde, the current editor for Cross Cult on the German Star Trek line said in his interview that they sometimes change things in their translations as well, but mostly smaller things like wrong deck numbers or little factual errors.

Anyway, after this little shock and the novel specific topics are out of the way the book delves into the less series specific topics you can see in the ToC above and the second part of my problem comes into play: Beside the fact that a majority of the essays again lack any real noticeable depth, most of them deal way more with what happened on screen than with what has happened within the novels. Granted, some novels are referenced here and there but most of the essays summarize on screen stuff and offer little original thought or research. To be fair that is mostly true for the essays written by Julian Wangler, whenever someone else has contributed (like Anika Klüver or Christian Humberg, both work as translators for Cross Cult's Star Trek line) the quality and amount of original thought and research increases, but since Wangler wrote what feels like at least ¾ of the book that is little more than a mere drop in the ocean. Speaking of Wangler, at least for me his writing style was hard to get through: he seemed to be hell-bend to sound intellectual, while at the same time offering little real content.

Cross Cult's Mackenzie Calhoun illustration
Something that is also a bit disappointing is that the only pictures in the novels are the book covers and character pics that already have been published online, some character pictures of novel only characters exclusive to the book might have been an added bonus.

Overall the book for me personal was a total failure and the most disappointing read in several years.

Now to the harder side of the review for me: looking at it from a newbie's side. And there are probably quite a few newbies and people who haven't followed Trek Lit in ages out there: Before Cross Cult picked up the Star Trek Books, the preceding publisher Heyne had pretty much run it into the ground by only publishing Shatnerverse novels and the odd (and old) TNG novel here and there over the last few years of their stint. So by the time Cross Cult picked up the license in late 2007 and started to get fully into the modern continuity a few years later, only those who had transitioned to reading the original U.S. releases were really up-to-date in Trek Literature.

So for those who had fallen out of touch or only got into Trek books with Cross Cult – as a comic publishers they probably got quite a few buys from comic enthusiasts that would never have given Heyne releases a second look - what I called expanded teasers above, those parts of the book where the series are highlighted, probably is a good way to see which of the series might be up their alley or to get a general feel what Trek in prose form is about. For them much info from the interviews are probably new and actually give them added insight on the novels and the authors behind the different series. Looking at it from this POV also makes it more understandable that they choose to not spoil too much to not scare away (potential) readers that don't like to know too much about what is coming up. So overall this part of the book is much more useful for new readers than it is for me, but even for those the second part is probably as hit-and-miss as it is for me, especially if they expect to learn more about the novels and aren't that interested in thematically organized rehashes of onscreen Star Trek.

Overall I think the book is in a kind of lose-lose situation. One the one hand people most likely interested in a non-fiction book about Trek novels are already familiar with most of the subject matter and therefore probably won't pick up the book once they have read some reviews and/or the excerpt, on the other hand people who are the target audience for this are less likely to stumble upon it.

To sum it up: If you are familiar with Trek and TrekLit even on a casual basis you probably won't find much new in this book, but if you're new to the whole topic and try to get a collected insight on what is out there at the least the first half of the book should be helpful.



My thanks to Jens for casting his eye over this book, even if it did turn out to be a bit of a missed opportunity. Make sure to check out UnrealitySF where Jens regularly reviews Star Trek novels, and other tie-in fiction.



ThinkGeek's coolest Star Trek product yet

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ThinkGeek's dedication to bringing Star Trek to the kitchen continues with their new Starfleet delta silicone ice-cube tray; giving you the perfect Star Trek accent to your favourite syntheholic beverage or soft drink.


ThinkGeek also propose a genius alternative usage: Making chocolate Starfleet deltas using the molds.


This is one of three Star Trek ice-cube trays released this year! Earlier in the year a nuTrek style delta tray was available as a promotional give-away from various sources around the release of Into Darkness. While later in the year DST have a TNG tray on the way, featuring both TNG insignia and Enterprise-D shapes.




Star Trek

More gloriously colouful TAS posters

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StarTrek.com have supplied more details about the new TAS poster series, which I first posted about a few days ago. Juan Ortiz has been revealed as the artist, and like his current TOS series, the posters will be released in batches of four (although there's still no indication when this will start). Ortiz commented on the different direction he has taken with this series:
I wanted to move away from the TOS prints a bit. I knew that I wanted more color in these and not necessarily have them be retro-looking. I call it my Star Trek into Brightness set. I just felt it was natural to go in that direction. Maybe someday I'll attempt the motion picture series and complete the bridge.
StarTrek.com have so far previewed the first two quartets. Here are the four designs from the second set:





Continue after the jump to see the rest of the first set designs:





Ortiz commented on the Yesteryear design in his StarTrek.com interview:
“Yesteryear” is a classic episode. I wanted something with emotion on this one. Originally, I just had Spock in a very stoic pose, but the image of young Spock and his pet sehlat makes more sense. The overlapping circles represent the passing of time as we focus on one particular moment.

Review: Into Darkness on bluray

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Star Trek Into Darkness has been available for digital download a few weeks now, and was released on bluray and DVD in the UK last week, with the US release today! With the horrible mess Paramount have made distributing the extra features (more on than later), it was tempting to consider boycotting this release. Alas I don't have the strength of will to resist new Trek coming to my library! Plus I really like the film, so no matter what this release doesn't offer, it does at least give me a film I want to watch. So before I get to the other stuff on the discs (and not on the discs), lets have another look at the film itself (spoilers abound):

The Film

I watched the film twice at the cinema, read the novelization, and then sat back and waited for it to drop into my bluray player. I enjoyed the film immensely on the big screen, and found that hasn't diminished at all watching it again at home. Sure this is a modern block-buster, with some emphasis on visual spectacle, unrelenting pace and action, and yes there are a few things that drive a nit-picking trekkie insane. This wouldn't be the first time Star Trek has played fast and loose with the speed of the plot warp factors though, and in the grand scheme of things I don't find such issues detract that much from what is overall a good film. Plus for every decision I'm not so enthusiastic about, there are those I think are inspired creative choices. The use of the National Ignition Facility as the warp core for instance, is brilliant; never has Trek tech felt so real, complex, or powerful. I think the nuTrek cast are also brilliant, and in particular Benedict Cumberbatch has made Khan something far more menacing and chilling than the character's previous outings.

With a title like Into Darkness one might have expected this film to be casting a shadow over the optimistic future of the Star Trek universe. But if you feel this film tarnishes said future, I think you're kind of missing the point. The darkness of Marcus and Section 31's readiness for war is what the whole film is showing us the Star Trek world opposes. Overtly through Scotty's reaction to events, and more subtly through Kirk's journey from seduction into vengeance, to ultimately allying with Khan to resist the true source of darkness in the film, we are shown how the heroes of the Federation feel about such paranoid politics of fear. Which is of course what makes the film all the more interesting and relevant to today, with allusions to interventionism, drone warfare, terrorism, and the dangers of fear driving our politics.

At the end of this film we are left, again, with the crew set up to go and explore strange new worlds. While I did enjoy this outing, I hope that promise is fulfilled through more than the opening scenes in the next instalment. I also hope the next film continues to tackle the issues of today, but I hope we can shift to other problems in our world, maybe a strong environmental theme? Into Darkness did leave some big obvious open doors for continuation. Do we want to see a Klingon war? If we get that I certainly hope it's more interesting than just a lot of battles. While I'm hoping for more of an exploration theme next time around, I certainly wouldn't be upset if Khan-berbatch found himself defrosted once more too; it would seem almost a waste not to have more of such an amazing performance.

Continue after the jump for my thoughts on the extra features, both those on my standard retail copy, and those not offered to most customers:

The Extras

The DVD release of the film has no extra features at all, while the bluray releases come with six featurettes, giving us about forty minutes of behind the scenes stuff. Those featurettes are:
  • Creating the Red Planet – Which looks at the Nibiru scenes at the film's opening
  • Attack on Starfleet – Breaking down the Starfleet Headquarters attack sequence.
  • The Klingon Home World – Discussing the design and production of Qo'noS and the nuKlingons.
  • The Enemy of My Enemy – Looking at Khan.
  • Ship to Ship – Showing how the space jump sequence was achieved.
  • Brawl by the Bay – Looking at the Spock/Khan chase/fight sequence.
I found all of these features well paced, insightful, and interesting. I was particularly impressed, amazed even, at how much was achieved through practical effects and in-camera tricks. I could gladly of watched a lot more of these, exploring other aspects of the film. And that's the annoying thing. Because there is indeed another hour of this material. For US fans, if you want to enjoy it all, you need to buy two different retailer exclusive versions of the film, while if you're in the UK, or other parts of the world, you don't even have the option to get it all.

The Other Extras

TrekCore have posted extensive descriptions of the all the retail exclusive extras. In summary: From Best Buy, via their CinemaNow streaming service (or on a bonus disc for Canadian releases). Are the following additional features, a further thirty minutes of content:
  • Down With the Ship - A look at the gravity defying effects in the Enterprise crashing sequence.
  • Unlocking the Cut - A feature on the editing in the film.
  • The Sound of Music (and FX) - A feature on the sound effects and music in the film.
  • Aliens Encountered - A look at the alien designs, make-up, and prosthetics.
  • NIF: Home of the Core - Taking us behind the scenes of the new warp core.
  • Safety First - Recounting the amusing "neutron cream" prank at NIF.
Meanwhile from Target in the US and Sainsbury's in the UK, on a bonus disc, and according to TrekCore, with the standard German 3D release (UPDATE: TrekCore have now confirmed no extra extras on the German release) are the following:
  • The Voyage Begins... Again - Looking at the build up to production of the film.
  • Mr. Spock and Mr. Spock - A feature of Leonard Nimoy's work on the film.
  • Rebuilding the Enterprise - A tour of the Enterprise sets.
  • Vengeance is Coming - Feature on the USS Vengeance.
  • Visual Affection - A look at some of the visual effects.
  • Kirk and Spock - Interviews with Zachary Quinto and Chris Pine on their work.
Altogether that's an hour of additional content, which is completely unavailable to fans in most places, some of which is only available as long as streaming services continue to offer it, and requires buying the film twice to get it all, for those that have the option. Infuriating! These sound like great features, covering many topics I would love to learn about! If you can bare the tease, here are a random selection of short excerpts Paramount have released from the featurettes:



There is one other extra feature on offer, and that's the commentary. You won't find it on the disc though, it's exclusive to the iTunes download version. The silver lining here is that it is at least available to everyone, as all copies of the film come with a digital download, including the option to redeem it via iTunes. I had to download and setup an iTunes account to do this, and then wait for the film to download (while I sit there staring at the useless content deprived disc I own in the flesh I guess). This feature isn't advertised on the packaging at all either, if you didn't happen to find out this feature existed, or didn't happen to bother to use your digital copy, you would never know you had an option to watch an audio commentary.

Some of the extra insights from the enhanced commentary
Distribution methods aside, the commentary is quite interesting: Several different contributors covering various aspects of the film's production take on different segments of the film (not all of the film, but most of it has a commentary). It's more than an audio commentary as well; footage is paused, slowed down and rewound, as the contributors talk at greater length, and literally point things out with onscreen markings and inset video. Notably this version of the film is also presented in IMAX format when scenes were shot in that way (neither the bluray or iTunes download of the film without commentary offer this). Again it is infuriating this isn't included on the disc. You've got to be either reasonably resourceful or just lucky to even realise this is available to you once you've bought a physical copy. Plus it's maddening that access to this requires you to sign up to a service that isn't guaranteed forever, unlike the content held on the discs, which is yours to own and watch for as long as you decide to keep it.

Conclusion

The film looks and sounds great, and the extra features on the disc are interesting. But Paramount have been thoughtless idiots in the way they have distributed the remaining extras here. Even if you were willing to buy multiple copies, you really have to have gone out of your way to research what you need to get to enjoy the full experience. Meanwhile Paramount seem to have forgotten the extreme brand loyalty us trekkies have; if they had wanted to take advantage of us, they should have just offered everything on a "collector's edition" with an extra special features disc, and bam: We would have got the full suite of extras we want to watch, and Paramount would have sold loads of a premium product. It's one big missed opportunity and insult to the fandom.

I think it's even worse than that though. Even if all the existing content was offered together, where's the rest? We know there are deleted scenes, they aren't offered. We know there were multiple localised versions of some of the music in the film (including several different music videos), no feature on that? We know significant chunks of the film were shot in IMAX format, why don't we have the option to watch that? (Ideally with seamless branching for those who would prefer a consistent widescreen presentation from the same disc) The three disc version of the 2009 film also offered a gag reel, and gave us a better look at the new ships with an interactive tour feature - Given the popularity of any article that mentions the Vengeance on The Trek Collective, I know a similar feature would have been appreciated for this film's new ship.

On top of all that, there were rumours last week of the Australian release coming with a round table cast discussion. Turns out that rumour was unfounded. However such a feature has been filmed! Two whole minutes of it were released when promoting the cinema release of the film. So I'll leave you with all that's available of what could have been another really enjoyable extra feature:



PS. For complete coverage of every aspect of Into Darkness, including details of a whole load of behind-the-scenes information you wont find on any of the bluray releases, check out my Into Darkness guide page.

Starships Collection Akira class

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The Official Starships Collection's project manager has been sharing photos on the collection's Facebook page again. This time he's treated us to a look at what I think is one of the coolest ships in Trekdom, the Akira class. This is the final model, although it's not been signed off by CBS yet. While it is meant to be the USS Thunderchild the name is not on hull, as it turns out it wasn't on the model in the film either.


The Akira class is to be the twelfth issue of the series, which means we'll be able to get it early next year.

For full coverage of the entire Starships Collection, check out my index page.


How to make a Star Trek title sequence

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Ready for another behind-the-scene look at Into Darkness? This latest video comes from Andrew Kramer, who made the end-title sequence (with all the swooshy planets). He tells us all about the tricks they used to make the sequence, and also destroys a Lego Millennium Falcon!



For more behind-the-scenes goodies, and everything else you need to know about Into Darkness, check out my guide page.



USS Vengeance is the target in new Star Trek pinball

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Stern Pinball have announced a new Star Trek pinball game, based on the nuTrek films. They have three different versions of the pinball machine available: The "Starfleet Pro", "Vengeance Premium", and "Enterprise Limited Edition". Each edition has ever more elaborate features, including more intricately designed casings, and extra features on the table; every version has an "animated" USS Vengeance as the centrepiece, with the higher end versions also featuring the USS Enterprise and asteroids dotted around the board.




Here's how Stern describe the game:
Inspired by the Star Trek and Star Trek Into Darkness films, the newest Stern machine puts players in Captain James Kirk’s chair of the U.S.S. Enterprise, embarking on a journey to protect and defend the planets of the Federation.

Stern’s Star Trek pinball machine features all the bells and whistles a Star Trek fan would desire. With adrenalin-filled battles, high-definition artwork, cosmic LED lighting and classic musical scores, the Star Trek game will evoke the sensation of flying through space at Warp Speed to rescue Spock and defeat the U.S.S. Vengeance.  The newest game from Stern includes an animated battleship, three lightning fast ramps, three flippers, resettable memory drop targets and much more.

Star Trek is Stern’s first all-LED Pro Model. The playfield features seven multicolored LED paths that lead gamers on easy-to-understand color-coded routes. There are six missions for casual players matched by 18 complex treks to immerse enthusiast players deeper in the game. As players attack an oncoming threat with three action-centered flippers, the all-LED playfield will captivate onlookers and enhance the player experience with features like phaser flashes and photon torpedoes.

Players will instinctively know exactly what to do when they approach Star Trek pinball – destroy the U.S.S. Vengeance, a key action-packed feature on the playing field. From the very start, players will have the chance to unlock special opportunities, collect tantalizing bonus features and win a series of accolades called The Captain’s Chair. Star Trek aficionados can expect the classic battle between the heroic Enterprise team and the villainous Khan as well as run-ins with Nero, Klingons and the Narada.
And here's a promotional video:



Continue after the jump for more photos of the pinball machine, and check out Stern's site and Ars Technica for more information.




Mike Johnson teases future nuTrek comics

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Comic Book Resources have posted a interview with the nuTrek comics writer Mike Johnson, discussing the forthcoming arcs in the ongoing series, and the Khan prequel series. Johnson gave specifics of how the next ongoing issue will be launching into the five-year-mission:
...we're on the five year mission now. It runs smack into the galactic threat of the Klingon-Romulan conflict, but after that (with the crew members that survive) we will be going into deep space. We might run into familiar faces and places out there in the stars, but for the most part it's an opportunity to tell stories that take the Enterprise to new places we haven't seen in comics, film, or TV before.
At the beginning of #25, we find the Enterprise docked at a Starbase on the edge of unexplored space, with their five year mission getting underway in the aftermath of "Star Trek Into Darkness." And we'll meet a new member of the crew with the same last name as a current iconic Enterprise bridge mainstay.
He also gave a few hints toward the future of the series, including the possible return of April, and the promise to expand upon some of the new crew members introduced in Into Darkness:
April doesn't show up in this arc because he's still stewing in a Starfleet rehabilitation facility back on Earth. But he's definitely in the mix for the future. A past captain of the Enterprise who was in league with Alex Marcus and has no love for the Klingons is just too juicy a character to leave on the bench.
I love Zahra, a redshirt who appeared in an original series episode. She plays a bigger role coming up, and we have matched the name to a background actor we saw in "Star Trek Into Darkness." We are also planning to give backstories to other new crew members we glimpsed in the last movie, like the android-looking guy on the bridge.
Comic Book Resources also posted a three page preview of issues twenty-five. Those Romulan weapons look a bit familiar don't they:


Johnson also talked Comic Book Resources and Geek Magazine about the Khan series, continue after the jump for highlights from both interviews:

Johnson outlined what the series will be covering, both before and after Khan has his centuries long nap, including teasing how they're going to deal with the altered appearance of Khan despite his pre-alternate timeline divergence origins:
This new miniseries shows us the life of Khan from his earliest days through to the events of "Star Trek Into Darkness," and even a little beyond. We go deep into his origins, which takes us back to the late 20th Century as we see how the Eugenics Wars unfolded.
Well, all we know about Khan's origin is what we've seen in "Space Seed" and "Wrath of Khan," and we are not changing any of that. In fact, we're sticking to those canon sources and extrapolating out from there. It's really only bits and pieces. As for whether absolutely everything was the same in both timelines before Nero came through, I like to point out that, if you want to get absolutely literal, the physical look of Kirk, Spock and the rest are slightly different. Shatner doesn't look like Pine, etc. So who's to say there aren't subtle changes in other things?
His life takes a dramatically different course than it did “Space Seed” and Wrath of Khan. To tease it a little bit: the circumstances of his revival affect him both physically and mentally in unexpected ways.
Johnson also mentioned there will be some sort of follow up to Khan in the ongoing series next year, but gave no specifics.

You can see the covers and blurbs for both the forthcoming ongoing comics, and the first issues of the Khan series, in IDW's September, October, and November solicitations.

Find Star Trek comics, toys, statues, and collectibles at TFAW.com!

Star Trek Online's latest Romulan ships

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Star Trek Online have added a couple of sleek new designs to their Romulan fleet. The Ar'Kif and Ar'Kala class tactical warbirds are supposed to be the first new designs from the ship designers of the Romulan Republic.

Ar'Kif class tactical warbird:


Ar'Kala class tactical warbird:


Ar'Kif class tactical warbird retrofit:


For more information on the new designs see STO's blogs on the design process, and in-game stats and abilities.


Latest Starships Collection previews and info

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The Official Starships Collection's project manager has been discussing the series with Facebook fans, and shared some more photos of future ships. Below is the not-final Jem'Hadar cruiser. The molded details are done, but they're still working on the paint job. Ben Robinson commented:
One of the reasons it's not quite finished is that I'm trying to see if there's a way of introducing a hint of purple to it because that's how I think of hem in the show. It has to be very subtle - it's actually reflected light from the engines. As you can see, the first attempt (in the back) is a little too much...

In this second photo we can see a too-purple version, in comparison to the not-as-purple-as-desired foreground model:


Robinson also answered a few questions about forthcoming ships, including confirming the running order for some issues, which is slightly different to that currently listed on the Collection's website. Issues twenty-nine to thirty-one will be the Jem'Hadar fight, Nausisan raider, and the Valdore.

He also explained the conspicuous absence of any TV-era TOS designs in the first thirty or so issues. They are coming eventually, but for now they're focusing on the more intricate designs of the later series:
The TOS ships are very plain and for a lot of people they aren't going to make sufficiently exciting models. For long term fans we will get to them. There is nothing I want to do more than the Fesarius! In the meantime we're doing more 'modern' interpretations of them - the TMP Klingon battle cruiser and Enterprise versions of the Tholian web spinner and the Romulan B-o-P are all on the way.
He also spoke about some of the major alien ships, noting that he plans to do all the Klingon designs we've seen (and highlighting that includes quite a few introduced in Enterprise). He also hinted at plans to do the Romulan science vessel from The Next Phase, and had this to say about the Borg:
Borg ships are tricky to model - the sphere caused me more grief than any other ship and I don't think the factory have forgiven me yet. I'm reckoning to do the sphere, ideally the FC cube, maybe the tactical one, Queen's ship and rogue Borg ship from Descent. And, yes, I know that they aren't all on the list of 70 that's floating around.
Further expanding on possibility of drift from the early list of 70 ships that's been in circulation, he suggested the following ships are also likey to show up in the series (responding to a long wish-list of ships):
...some of those are very much on my radar and will almost certainly be in the first 70. Specifically, I'll be surprised if we don't get: Antares, D'Kyr, J'h battleship, Negh'var, Botany Bay, Rhode Island, and armoured Voyager. From the JJverse I'm expecting the Vengeance and then a Klingon ship...
He also spoke the possibilities of mirror universe ships:
At the moment I'm not planning to do anything that reuses the same tooling (apart from the A, which is a special case) but I understand there is an interest in the mirror universe ships so it's tricky. If/when we reuse the tooling that'll be the first thing we do.
Elsewhere, Entertainment Earth and Big Bad Toy Store have updated their listings, with issues nine to twelve (USS Defiant, Borg Sphere, USS Reliant, and USS Thunderchild), as well as the first special (Deep Space 9), available for pre-order. That also means the first look at some of the covers and official model photos:


For full coverage of the entire Starships Collection, check out my index page.


IDW's December comics

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Comics Continuum have posted IDW's December solicitations, which include three new Star Trek comics, and an omnibus:

Star Trek (ongoing) #28
Written by Mike Johnson, with art by Erfan Fajar, cover by Fajar and a photo-cover.
The climactic chapter of the Klingon-Romulan War! Kirk and the Enterprise have one last chance to prevent galaxy-wide cataclysm... but at what cost to the crew? Star Trek Into Darkness writer/producer Roberto Orci oversees this all-new story set in the aftermath of the blockbuster film!

Khan #3
Written by Mike Johnson, with art by Claudia Balboni and David Messina, cover by Paul Shipper, and a photo-cover
The exclusive never-before-seen origin of STAR TREK's greatest villain continues here, in the official tie-in to the blockbuster hit STAR TREK INTO DARKNESS! The legendary Eugenics Wars lay waste to the planet as Khan fights to preserve his empire! An all-new epic overseen by STAR TREK writer/producer Roberto Orci!

Star Trek Annual 2013: Strange New Worlds
Written by John Byrne, who also produced the photo-montage artwork and covers
A special extra-length, one-of-a-kind "fotonovel" sequel to a beloved classic! Years ago, James Kirk saved his ship, but the price was the life of his oldest friend in Starfleet -- or was it? The crew of the starship ENTERPRISE faces a staggering discovery in a brand-new "episode" of the original STAR TREK.


Star Trek Classics #5: Who Killed Captain Kirk?
Written by Peter David, with art by Tom Sutton and Gordon Purcell, cover by Jason Palmer.
Someone aboard the starship Enterprise has killed Captain Kirk-or so it seems. While the captain recovers, it falls to his crew to uncover the facts behind the case and learn whether one of their own is a cold-blooded killer. Add in the unwanted arrival of the Klingons and Kirk's nemesis from his academy days, Finnegan, to take charge of the investigation for an action packed adventure.


Find Star Trek comics, toys, statues, and collectibles at TFAW.com!
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